KinderGarden
collaborative world-building, manifesto, and art installation series, with Fangling Huang, Judy Lieff, Alice Tang, and Danni Wang, 2022/23
KinderGarden is a mobile Portal-Garden, a kinder, kin-garden for multispecies justice, connecting disparate time scales and geopolitical landscapes, a way of existing and world-building.
The KinderGarden integrates living materials: mycelium, lichen, and moss, our mentors and ecological elders, with fragments of our technological waste. The Portal-Gardenβs adaptability and mobility are metaphors for current migrations of all species, a response to ecological collapse and geopolitical shifts.
Research and prototyping for KinderGarden has been supported by the Tisch Creative Research Grant, exhibited at NYU Shanghai and the Shanghai International Design Festival. We are continually working with Tony Patrickβs Share Lab initiative to envision the future of collaborative worldbuilding.
ROBOTA (44Β°34'39.5"N 72Β°14'45.2"W)
performance/single-channel video/sound design, 2022
In a post-human world, a cyborgian entity materializes and experiences an enchanted pond for the first time.
The performance stems from an ecofeminist perspective and references the origin of the word βrobotaβ (derived from βdrudgeryβ and βforced laborβ) as well as βrobotβ (from Karel Δapekβs Rossumovi UniverzΓ‘lnΓ Roboti, Rossum's Universal Robots).
Robotaβs cyborgian entity continues its habitual tasks but senses possible liberation in the multisensory, multispecies world in and around the pond.
Europa Film Festival 2024, Barcelona, Spain; BIDEODROMO Experimental Film Festival 2023, Bilbao, Italy, 2023; the Stockholm Film Festival, 2023; the Future Vision Festival, Tokyo and Amsterdam, 2022
MAMA, SOIL, AND SPIRIT
installation, 2021
MAMA, SOIL, AND SPIRIT expresses the poetry of relationality as I collaborate on an interactive artwork with the soil. Sensors read the soilβs humidity and temperature, and the value inputs shape the dynamics of three reactive animations: Bathing Mamas, Tunnel Mamas, and Deep Time. Within the animations is documentation captured with borescope cameras and a Butoh performance. I evoke animistic mentalities, the dynamism of the microbiome, and technology's relationship to its maternal materials. The screens rest in holes, ontological parasites defined by soil. They are spirit portals revealing the continuum and unity of the above ground and the underground.
HOLE SOCIETY
art intervention, 2021
HOLE SOCIETY is an art intervention and a video series accompanied by instructions inspired by Fluxus scores. The series forms an abstract narrative of birth-death-regeneration and reveals a web of bureaucratic structures, cultural complexities, and economies that surround soil exploitation.
HOLE SOCIETY is interested in infrastructure where it intersects with soil and relies on holes. It reveals terra firma as a dynamic and living thing and part of a continuum with the life above-ground.
CYBORGIAN ROCK (A PROTO-BOT)
custom chatbot/web-based interactive experience, 2021
The Cyborgian Rock (CR) is a fictional entity experienced via a chatbot and designed to stimulate animistic imagination in users. It is a cyborgian relative of the the Makapansgat pebble. This project explores the untapped potentialities of social presence, which can be defined as the sense of being with another. The CR experience is the opposite of our encounters with consumer techno-products. It does not serve a utilitarian purpose or provide consumerist pleasures. Instead it steers one towards reflections on the more-than-human worlds. The code and algorithms are βhandwrittenβ thus the CR is a proto-bot, not an AI-bot.
Featured on the Coding Train live stream.
PASS BY/PASS THROUGH
live online performance/reactive sound design, 2021
An entity dances with a rock as audience members react. The position of the rock, detected with a gyroscope sensor, is used in Max MSP to create an instrument that responds to rockβs orientation and velocity. This project was made in a NIME workshop with the support from Rudolfo Cosovich and Eric Parren. It is inspired by a Jinen Butoh workshop with Atsushi Takenouchi.
HERE IS NO INSECTS
performance/video installation, with Bronwyn Roe, 2014
A ghostly entity transverses birth and death. The performance is captured on a disintegrating analog videotape.
Presented at the Pollock-Krasner House in Springs, NY
DAILY MAKINGS